(…) Władysław Podrazik in his ‘Epiphanies’ seems to be an abstractionist who can fully grasp and express the element of initiation – the sacrum. His abstract compositions dazzle with their unusually subtly and sensually shaped matter, softened iridescence, close in shade and predominantly dark, as well as with the mystery of their dimensional layout. Podrazik wants to express through his canvases his mystic experiences, he wants to touch the invisible beyond aesthetic and content-related categories.
(“Dziennik Polski” no. 120, 1999)